Processing: Creative Coding and the Future of Education
UD6.215 | Day 2 | 14:35 - 15:05 | Speakers: Moon Davé, Raphaël de Courville
Abstract
Processing is one of the most widely used open-source tools for creative coding and computer science education. Since its first release in 2001, it has helped millions of students, artists, and designers learn programming through visual and interactive projects. It has been used in classrooms, art installations, interactive media, and data visualization worldwide. Processing popularized the term creative coding and helped establish it as a field that bridges art, design, and computer science.
The values that shaped Processing (accessibility, creativity, and democratization) remain essential, but the context has changed. Computer science education is dealing with rapid shifts in technology and society and today’s learners encounter a software ecosystem dominated by opaque but tantalizing systems and automation. This raises new questions: What does it mean to learn to code today? Can we re-imagine coding tools in a way that preserves learner agency, curiosity, and critical thinking? Could creative coding hold some of the answers?
In this talk, we’ll share what we’re learning as stewards of Processing and how these efforts invite us to rethink creative coding’s role in the future of computer science education.
More about Processing:
Speakers
Processing Project Lead at the Processing Foundation.
Raphaël de Courville (he/they) is a generative artist and designer from Paris. He currently serves as the Community Lead for the Processing project. Since 2012 Raphaël has been the co-host of Creative Code Berlin, a community that promotes interdisciplinary practices in art and technology through monthly events. Raphaël also shares insights on Creative Coding through his weekly livestreams. He lives and works in Berlin.
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Notice: The placeholder video image is licensed under CC BY-SA 4.0. The original image can be found hereChanges made to the image are: Cropped the image to a new ratio, part of the image was cut off.
